by Christine Smith • 2020-09-21 19:08:41 • Proven solutions
Apple Prores Codec For Windows; Apple Prores 422 Codec Download Mac Premiere Pro; Format Description for QTVAppleProRes422 - QuickTime wrapper with Apple ProRes 422 codec video bitstream and other data chunks, e.g., audio. Apple Prores Codec For Windows. How to get Apple ProRes and other Codecs.Found this useful information on the web. Premiere Pro CC (13.0.2) After Effects CC (16.0.1) Adobe Media Encoder CC (13.0.2) Apple ProRes is a codec technology developed by Apple for high-quality, high-performance editing. It is one of the most popular codecs in professional post-production and is widely used for acquisition, production. Now ProRes 4444 and ProRes 422 export are available within Premiere Pro, After Effects, and Media Encoder on both Mac OS and Windows 10 with the latest update. Apple ProRes is a codec technology developed by Apple for high-quality, high-performance editing, and it’s been around for quite a while. FYI, ProRes encoding on Windows has been added to the Premiere Pro (and Media Encoder) 13.0.2 update that was posted last night. Apple ProRes support: With the latest Adobe updates, export presets for Apple ProRes, including ProRes 4444 and ProRes 422 formats are available within Premiere Pro, After Effects, and Media Encoder on both macOS and Windows 10.
When compared to ProRes, MP4 has a better compression ratio that saves a decent amount of space on your storage media. ProRes files are quite larger in size, and as far as the picture quality is concerned, the difference between the two is almost negligible. Considering this, the obvious question is, “Why do professionals convert MP4 to ProRes?” Although the answer is a bit technical, things are easy to understand even if you don’t have an in-depth understanding of video formats and how your GPU processes the data. Here you will learn about the critical differences between ProRes and MP4 files, why most professionals convert MP4 to ProRes, and what tools do (or can) they to get this done.
Part 1. What Are the Differences Between ProRes and MP4
Developed and introduced by Apple Inc. in the year 2007 with the public release of Final Cut Studio 2, ProRes is a codec that, unlike H.264 and H.265 that use MP4 as file extension, loosely compresses the footages, thus preparing them for post-production processes.
MP4 Files
MP4 files are GOP (Group of Pictures) and are smaller in size as they are compressed using H.264 or H.265 codecs. Because of this, the GPU has to make additional efforts to de-compress and compute the data they store before displaying a video on your screen during the playback. The condition stands true even during the editing process. Since the post-production tools like Adobe Premiere Pro, Final Cut Pro, etc. engage the GPU to de-compress an MP4 file, you cannot take full advantage of the hardware.
Furthermore, H.264 and H.265 are 8-bit codecs, and therefore you get limited shades when it comes to color grading while working with MP4 files.
ProRes Files
On the other hand, ProRes is an I-frame (individual frame) files where each video frame is compressed individually. Although this significantly increases the size, it makes it extremely simple for the GPU to process and display the frames on the screen during playback. Also, due to this exact reason, the editing tools don’t have to engage the GPU unnecessarily while making modifications to the clips during the post-production processes.
In addition to this, unlike MP4, ProRes is a 10-bit codec, which means that you get more room to work with color grading as compared to H.264 and H.265.
Assuming that you have now clearly understood why professionals prefer ProRes over MP4, the remaining two parts that follow from this point onward discuss the most recommended tools and methods to convert MP4 to ProRes.
Part 2. How to Convert MP4 to ProRes in Most Recommended Way
A widely appreciated tool by both Windows and Mac users across the globe is Wondershare UniConverter (originally Wondershare Video Converter Ultimate). UniConverter is a universal converter that supports more than 1,000 extensions and can recognize and convert almost all significant formats to their relevant ones. The program is also lightweight and can perform all the conversion tasks around 30x faster than other post-production applications.
Wondershare UniConverter - Best MP4 to ProRes Converter
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- Convert MP4 videos to ProRes codec and other 1000+ video formats like MP4, MOV, AVI, etc.
- Convert MP4 video files with optimized presets for Final Cut Pro, iMovie, iPhone, iPad, and more devices.
- 30X faster conversion speed than any conventional converters.
- Edit MP4 video files with trimming, cropping, cutting, merging, adding subtitles, etc.
- Burn MP4 videos to DVD with customized free DVD menu templates.
- Download or record videos from 10,000+ video sharing sites.
- Industry-leading APEXTRANS technology converts videos with zero quality loss or video compression.
- Versatile toolbox combines video metadata editor, GIF maker, video compressor, and screen recorder.
- Supported OS: Windows 10/8/7/XP/Vista, Mac OS 10.15 (Catalina), 10.14, 10.13, 10.12, 10.11, 10.10, 10.9, 10.8, 10.7, 10.6.
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You can learn how to use Wondershare UniConverter to convert MP4 to ProRes by following the simple steps:
Note: At the time of this writing, only the Mac version of Wondershare UniConverter can transcode MP4 to ProRes.
Step 1 Click Add Files and Import an MP4 Video.
Launch Wondershare UniConverter on your Mac computer running the latest version of macOS (macOS Catalina at the time of this writing), check from the top of the interface and ensure that you are on the Video Converter tile, click Add Files from the center of the window, select the MP4 video you want to transcode, and click Load.
Step 2 Go to Editing and Select ProRes.
Click Output Format from the bottom section, go to the Editing tab from the top, and select ProRes from the list of formats in the left. As for the resolution, choose your preferred one from the right (Same as the source is selected here for illustration).
Step 3 Click Convert to Transcode.
Choose a folder to save the transcoded file from the Output field at the bottom, and click Convert to begin transcoding MP4 to ProRes at 30x faster conversion speed with Wondershare UniConverter.
Part 3. Other 4 Converters Recommended to Convert MP4 to ProRes
A couple of other tools recommended to transcode MP4 to ProRes in the absence of Wondershare UniConverter are listed below:
- Final Cut Pro X
One of the most appreciated post-production tools by Apple, Final Cut Pro X, can easily convert MP4 to ProRes without using any other third-party program. Since Apple Inc. develops both ProRes and FCPX, they are fully compatible with each other, without giving much overhead to the GPU.
Pros:
- Final Cut Pro X is well-known for its simple UI and fast rendering.
Cons:
- FCPX is expensive and is available for USD 299.99 at the time of this writing.
Adobe Premiere Pro is yet another post-production tool used by most professionals who work as full-time editors to produce industry-standard outputs distributed for commercial gains. After Adobe collaborates with Apple, Premiere Pro can recognize and transcode MP4 to ProRes from its Export Settings box.
Pros:
- Both Windows and Mac variants can convert MP4 to ProRes with ease.
Cons:
- Premiere Pro is a part of Creative Cloud Suite and requires a monthly or annual subscription plan to be purchased post expiration of its 7-days trial period.
- iMovie
iMovie is also a product of Apple Inc. and is available for both iOS and macOS devices. The application can be downloaded from the App Store and is free to use. With FCPX and Adobe Premiere Pro, iMovie has a box called Movie Settings that lets you easily transcode MP4 to ProRes.
Pros:
- iMovie is simple to use as compared to Adobe Premiere Pro and Final Cut Pro X.
- The program is only available for Apple devices, i.e., iOS and macOS operating systems.
Developed by VideoSolo, Free Video Converter can be installed on Windows and Mac computers, and both the variants are capable of converting MP4 to ProRes. Since the program's interface is simple, even a novice user can perform the transcoding tasks without any additional help or being highly technical.
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Pros:
- Free Video Converter is free to obtain and use.
Cons:
- A pro version of the program might be needed to expedite the conversion process. The transcoding remains slow in the free variant of the software.
Conclusion
Although you can use MP4 files in the post-production applications to edit them for commercial distribution, unlike ProRes, MP4 may lag during the process, especially if your PC specifications are not competent. That is where a third-party tool like Wondershare UniConverter comes into the picture that, because of being lightweight, can transcode MP4 to ProRes around 30x faster than other conversion applications.
ProRes is an outstanding family of codecs, even if Adobe Premiere Pro is your principle editing tool. However, Adobe did not create any ProRes presets until the current (2019) version.
Here’s how to create a ProRes setting in both current versions Adobe Media Encoder (AME) and earlier. Counter strike 1.6 mac download yosemite.
NOTE: Here’s an article on how to create a ProRes sequence setting in Adobe Premiere.
WHAT IS PRORES?
“Apple ProRes is a high quality, lossy video compression format developed by Apple Inc. for use in post-production that supports up to 8K. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. It is widely used as a final format delivery method for HD broadcast files in commercials, features, Blu-ray and streaming.
“ProRes is a line of intermediate codecs, which means they are intended for use during video editing, and not for practical end-user viewing. The benefit of an intermediate codec is that it retains higher quality than end-user codecs while still requiring much less expensive disk systems compared to uncompressed video. It is comparable to Avid’s DNxHD codec or CineForm which offer similar bitrates and are also intended to be used as intermediate codecs.” (Wikipedia)
All variations of ProRes have a video bit-depth of 10 bits or greater.
NOTE: AME does not ship with the ProRes codecs. The easiest, and cheapest, way to get them is to purchase either Apple Motion or Compressor. Either includes all the ProRes codecs.
FOR OLDER SYSTEMS
Open Adobe Media Encoder and click the plus icon in the top left corner. Then, select Create Encoding Preset.
NOTE: Create Ingest Preset creates import presets for Adobe Premiere Pro CC.
This opens the Preset Settings window.
Give your new preset a name, then, from the Format menu, pick QuickTime.
NOTE: QuickTime is a word with many meanings: it is both a movie format and a “foundation” for a variety of older codecs. The QuickTime 7 Foundation is going away with macOS 10.15 and later. However, the QuickTime movie format is fully supported by Apple and continuing.
After you select QuickTime, the Based on Preset menu changes to include a variety of ProRes settings. (This menu will look different depending upon which version of AME you are running.) Here, I’m selecting ProRes 422. Which version should you pick?
It depends upon the video you initially shot. (Remember, ProRes is designed for editing and master files, not for posting to the web.)
- If your camera shoots ProRes natively, there’s no reason to convert it to a different version of ProRes.
- If you are working with SD or HD media, choose ProRes 422
- If you are working with RAW, HDR or Log files, choose ProRes 4444
- If you are working with files created on the computer, i.e. After Effects or Motion, choose ProRes 4444
- If those After Effects or Motion files contain transparency that you want to retain, choose ProRes 4444 with alpha
NOTE: Converting a lower-quality camera format, such as H.264, to a higher-quality format, such as ProRes 422, does not add more quality. It just means that you won’t lose any quality during the conversion.
The rest of the Basic Video Settings are fine.
As you can see from the settings in the Audio panel, ProRes defaults to fully uncompressed, stereo audio using a 48,000 Hz sample rate and 16-bit depth. You can adjust audio bit-depth up to 32-bit.
NOTE: Audio bit depth controls the gradation of audio volume. 16-bit is fine for recording and distribution. Most audio mixing is done at 32-bit depth.
NOTE: When creating final output, be sure to check Use Maximum Render Quality. This will improve the look of effects in a final output. It is not necessary when transcoding from 8-bit video to ProRes.
I also recommend against Use Previews. https://guidetree243.weebly.com/blog/lockdown-browser-download-mac-respondus-creighton-university. Using previews saves time by reusing existing render files. However, I prefer to create all new renders for my final output. Again, for transcoding camera masters this setting does not apply.
When you have adjusted your settings, click OK.
FOR CURRENT SYSTEMS
For current system, Adobe created a new ProRes category containing all six ProRes variations.
You’ll find them in System Presets > Broadcast > Apple ProRes
NOTE: What about Apple ProRes RAW? This is created at the camera during initial recording, NOT in transcoding, because it needs to record the Bayer pattern (pixel locations) directly from the camera sensor. You would NEVER transcode existing media into ProRes RAW because the video is no longer “linked” to the camera sensor.
Here’s an article that explains ProRes RAW further.
OPERATIONS
The new setting now appears in User Presets & Groups. At this point, you can apply it to clips the same as any other compression setting.
NOTE: Here’s a webinar that covers how to use Adobe Media Encoder.
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